In the final analysis, I'm unsure about The Sound of Drums, but as part 1 (or in fact, part 1.5) of a finale', I guess it throws enough candy and jeopardy at us to properly get my stomach in a knot for a week while I wait for the end. After all, previous penultimate episodes featured reality show parodies and ghosts on Eastenders, so why was I expecting more?
John Simm's Master has some good moments, but also goes over the top at times (see the Scene I could have done without below). I do give him props for the intense phone conversation with The Doctor, for example. Some have said his performance is akin to Cesar Romero's Joker on the campy Batman series, something it's hard to not give credence to after he gasses the cabinet. New Who just can't play things straight on the Downing Street set.



Let's look at the language again: "I had to end it." First person singular. Previously, he's said that he not only saw the Daleks burn, HE MADE them burn. And we also know that Gallifrey and the Daleks burned together. But how? A clue in one of the Master's lines occurs when he asks the Doctor how it felt to see two mighty civilizations burn: "You must've been like God." In Utopia, we get a pointed speech about what happened to Rose in The Parting of Ways, that she looked into the heart of the TARDIS, that if a Time Lord did that, he would become a god, a VENGEFUL god. But Rose was human, bla bla bla.
Does the Doctor know this from experience? Go back to Parting for a minute. When Rose is the Bad Wolf, she sees all that is, was, will ever be, and the Doctor says "That's what I see, doesn't it drive you mad?" Was he the Bad Wolf once? Did it drive him mad? Did it turn him into a vengeful god who could commit genocide on a cosmic scale? I would explain how he alone survived, how he regenerated, how he knew he could take in the vortex energy to save Rose at the cost of his present regeneration, and why he's so reticent to even discuss the Time War. Just a theory, of course.
Other thoughts on The Sound of Drums:
-On the quick get-out from last week's cliffhanger: I didn't mind at all. Audiences had pretty much figured out that Jack's bracelet was gonna get everyone home, so we didn't really need to linger there, did we?
-UNIT dating takes another hit when 1966 is mentioned in connection with a relevant UN resolution. 1966 is the broadcast date of the first UNIT story, "The Invasion", but was meant to be in a near future. UNIT episodes after it either went along with that or supplied evidence to its being contemporary with the show.

-I love hearing the Torchwood theme layered into the show. Here's hoping these Captain Jack appearances will remind Torchwood writers of his true personality.
-Scene I could have done without: Among the Master's worst excesses is the "funny/serious" faces he pulls in the cabinet room. I don't mind him played as a hip Doctor-like verbal whirlwind or even chuckling at the Teletubbies, but that went a bit too far into the ridiculous.

-The Ghost of Rose: Better not have gone through the rift and started snicker-snakking the world's population at the end there.
Last of the Time Lords (a title that works with the Time Lord resurrection theory, at least) is in only a few days and I can't wait, even if I have the sneaking suspicion the paradox machine will be used to wipe the story from continuity. Still, does the cannibalization of the TARDIS coupled with UNIT's return signal a new Season 8 in which the Doctor is trapped on Earth? Even if Earth's future is assured, Series 1 and 2 both had serious repercussions on Doctor Who. I'm certainly giving RTD the benefit of the doubt.
Bonus Doctor Who content:
PostmodernBarney offers up a Music Video Stream of Consciousness (Doctor Who Edition). Thanks, Dorian!
Steve Flanagan at Gad, Sir! Comics! lends credence to my theory. Thanks for the researched references Steve!
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