
Well, the best thing about this comic is definitely the Eduardo Barreto cover. And it's kind of downhill from there, I'm afraid.
Bizarro World, a square planet created by Superman to house the imperfect duplicates of himself and his supporting cast (popularized by Seinfeld, comics newbies may remember), is an old pre-Crisis concept, and judging from this issue of DCP, I can't say I actually missed it. The problem here is that writer E. Nelson Bridwell mistakes "silly" for "stupid", and things quickly get out of control and unfunny.
It starts pretty well actually, with Bizarro-Superman hanging out with the Bizarro-Justice League who live in a sunk submarine (the opposite of the JLA's satellite). Yellow Lantern is their greatest hero because not only is he literally "yella", his power ring has long ago run out of power. So he's a powerless coward, and that makes him the best (see how this works?). The Bizarro-JLA's rogues gallery is pretty funny too, with the thoughtful Shaggy Man and the depressed Joker. These kinds of gags are what makes a Bizarro story work for about 8 pages - max! You smile, you say "Wait, Valentine's Day isn't the opposite of New Year's!", and you move on to the next comic.
The actual plot centers around the creation of a Bizarro-Amazo, the android that stole all of the JLA's powers. Well here, he takes powers from all the super-powered folks on Bizarro World (and there are hundreds of Supermen), but oppositely, he gives them to people who don't usually have powers (Yellow Lantern, Bizarro-Lois Lanes and Bizarro-Jimmy Olsens, mainly, but also Bizarro-Clark Kent... which is Bizarro in disguise!).
Ok, so that's all fine, but on page 8, the Bizarros head for our Earth and that's where it stops making sense (if you can call the preceding pages sensical). Really, what it did for me today is highlight everything that was wrong with the pre-Crisis DC Universe. It's not the concepts, it's a style unsustainable post-Silver Age and pre-postmodernism. For example, here's how Superman's pre-Crisis supporting cast usually dealt with proof that Superman was Clark Kent.

Then, Jimmy develops powers. So does Morgan Edge, so does Lana Lang's floor manager... so Amazo is not only distributing powers to Metropolis citizens, but he's mostly giving them to Superman supporting cast members. That is just stupid. Not Amazo being stupid, but the story being stupid. Next thing you know the good guys are throwing abandoned buildings around, what looks to me like perfectly good real estate (no broken windows). People are either leaving Metropolis in droves because of the super-carnage, or that building was only "abandoned" because its tenants were at work. Either way, not good.


So Amazo undoes it all, goes back to Bizarro World and to become the greatest villain ever, deactivates himself. 8 pages of this is slightly amusing. By the time page 23 flips along, "amusing" has turned into "irritating". Do still love that cover with Yellow Lantern making like Aquaman though, but it's just not enough for even a retro-recommendation...

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