Lifetime Achievement Award: Veronica Mars
Veronica Mars is one of those shows that seems replete with fun and interesting musical choices. The pilot alone uses some 15 pieces of music, everything from loungy air to Blue Oyster Cult to the chick rock of Taxi Doll to Miriam Makeba's Pata Pata. I've probably acquired over 80% of the songs used on Veronica Mars in its three seasons. The "musical casting" is just that perfect. And because I couldn't choose a single moment to put in this list, it stands as my LAA. My thanks to the Music of Veronica Mars blog for all the research. Check it out.
And now, the real top 5, and I find that like Veronica Mars, the selected shows have universally good song selections. Gonna be hard to pick just one from each!
5. Live and Let Die (Wings) - Life on Mars (Episode 2)
Life on Mars (the UK original, of course) features great (I'd even say "forgotten") tunes from the 70s. Live and Let Die isn't in any way "forgotten", but I love how it plays up the comedy of this scene featuring an absurd chase in swimming trunks.
4. Let Me Show You (Camisra) - Spaced ("Epiphanies")

3. Mr. Blue Sky (ELO) - Doctor Who ("Love and Monsters")
Here is an example of a song running through an entire episode (or in fact, a few songs from the same band). In the offbeat Who episode, Mr. Blue Sky manages to hit Elton's highest highs and lowest lows in a way that makes you feel like writing the episode started with the song itself. Sure, the Absorbaloff stuff is terrible, but the ELO stuff in the episode is just magical.
2. Breathe Me (Sia) - Six Feet Under ("Everyone's Waiting")
This is the final scene of Six Feet Under, so SPOILER WARNING. The way Breathe Me's silences are used to edit the scene is, well, breathtaking. It narrowly wins against Radiohead's Lucky, played at a pivotal moment of the series. Best damn car commercial ever.
1. I Don't Like Mondays (Tori Amos) - West Wing ("20 Hours in America")
Breathe Me drives its scene. I Don't Like Mondays, on the other hand, is an example of how a song can support a scene that would be strong without it. And yet, Tori Amos' sweet voice adds to the sadness of the moment, while the music gives it a funereal feel that I couldn't do without. Aaron Sorkin has used great music on his shows, infrequently but at crucial moments, and has always manages to elevate his scenes with it. I might just as well have named Jeff Buckley's Hallelujah ("Posse Comitatus") or the Dire Straits' Brothers in Arms ("Two Cathedrals").
So those are the songs I can't hear without thinking of the scenes they supported. What are yours?
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