
Sure, I was sorry to see the 9th Doctor go, and then even more devastated when Rose left the show, but the blow was softened by three things: 1) anyone aware of media announcements was prepared for their departures, which took away from the surprise maybe, but not the tragedy; 2) those departures were moving, wrenching and irrevocable; and 3) I wasn't constantly bothered by details throughout the set-up.
So then, now, Last of the Time Lords. The media had spoiled John Simm being cast as the Master, but not his death at the end of Series 3. Nor was Martha's departure telegraphed in advance. So no prep. And bothered by details? There was plenty of that. The Doctor and Martha's plan makes them omniscient. Their plan would only work if a hundred things happened, which in the final analysis, smacks of lazy writing. The whole thing about the Doctor being turned into Gollum. I mean, why? How? It was a bold move to have him frail and motionless in a wheelchair, but turning him into a CGI gremlin in a cage was pure nonsense. And then his return, Christ-like, regaining youth AND his suit (???)... I can understand it after the fact: We were told in The Shakespeare Code that words had power, and the Doctor could certainly patch into a telepathic matrix (like Gallifrey's) and use that energy to activate/reverse the Lazarus device, or even reset himself to a year earlier (when he had the suit), but you have to explain it right. It wasn't, and the wire work was underpar as Tennant goes floating across the room.

So that leaves us with my #2. Were the departures (the Master's and Martha's) moving, wrenching and/or irrevocable? Wrenching yes, but not for the right reasons. For all my misgivings last week about John Simm's performance, he has grown on me incredibly quickly. Other Masters have been moustache twirlers and rather clichéd, even panto villains, but Simm's Master was crazy, funny and unpredictable. I love how he sets his schemes to a soundtrack, love it! So imagine my dismay when, after I made all that effort to like him - really like him - he's taken away from us. Obviously, we're not going to be moved as much by a villain's death, but the cop-out at the end, with a hand picking up his Time Lord ring, deflates even that drama. Oh, he'll be back, ok, ah well. So there's no irrevocability AND we probably lost the actor that made the character interesting anyway.


Other thoughts about Last of the Time Lords:
-Some people were put off by the "One year later" aspect, since you knew the paradox machine was going to be used as a giant reset button. But we always knew, didn't we? I liked it because it allowed the Master to show his evil by WINNING. Japan burning, Europe scarred with radiation pits, all brilliant imagery. And don't think we didn't notice how banged up Mrs. Saxon was either. Further, it's not a full reset button. Martha and her family are clearly traumatized and have gone through a character change because they remember everything's that's happened. Very bleak.

-Scene I could have done without: You've read the essay, take your pick.
-The Ghost of Rose: The Master compares Martha to her unfavorably, but he's so wrong. Not only does she prove it to him, but to herself as well. Too bad exorcising Rose from the TARDIS has also cost us Martha's permanent presence.
-Favorite line: "Doctor Who will return in Voyage of the damned." I'm being facetious, but no matter what, the real disappointment here is that I have to wait 6 months for another dose of new Who. Fun little teaser too.
So is that the end of weekly Doctor Who material on Siskoid's Blog of Geekery? No, I can't let it end this way. I want to do something on the Face of Boe and on the Series 4 companion, so join me again next week, won't you?
No comments:
Post a Comment